Mostrar mensagens com a etiqueta São Ludovino. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta São Ludovino. Mostrar todas as mensagens

terça-feira, 31 de dezembro de 2024

MUSICAL CHAPTERS VII

 I'm Still Wet From October Rain


     The Eurovision festival of this year (2024) in Malmo (Sweden) was a shameful parade of hate, antisemitism, hypocrisy and censorship. The jury began refusing the Israel's song (October Rain) considering it a political song, while allowing other "political" songs and declarations coming from several of the participants, not to talk about the flags of the Islamic terrorists and the manifestations outside calling for the genocide of the Jews.

     The song was political only in the sense that it was a painful testimony that could evoke the October 7 massacre in Israel, commited by Islamic terrorists against the Israeli, Jews, Muslim, Druze and citizens from several Western countries. That song should have been praised and supported, yet it was rejected, but only by the jury because the public voted massively in that song. 

     Israel changed the title to Hurricane and parts of the lyrics. But I still hear October Rain and the message.

     Below are the lyrics of October Rain and of Hurricane.



Eden Golan - Hurricane | Israel 🇮🇱 | Official Music Video | Eurovision 2024


OCTOBER RAIN

Writers of the history

Stand with me
Look into my eyes and see
People go away but never say goodbye

Someone stole the moon tonight
Took my light
Everything is black and white
Who's the fool who told you boys don't cry?

[Pre-Chorus]

Hours and hours and flowers
Life is no game for the cowards
Why does time go wild
Every day I'm losing my mind
Holding on in this mysterious ride

[Chorus]

Dancing in the storm
We got nothing to hide
Take me home
And leave the world behind
And I promise you that never again
I'm still wet from this October rain
October rain

Living in a fantasy
Ecstasy
Everything's meant to be
We shall pass but love will never die

[Pre-Chorus]

Hours and hours and flowers
Life is no game for the cowards
Why does time go wild
Every day I'm loosing my mind
Holding on in this mysterious ride

[Chorus]

Dancing in the storm
We got nothing to hide
Take me home
And leave the world behind
And I promise you that never again
I'm still wet from this October rain
October rain
October rain

(There’s no air left to breathe
There’s no space
I’m gone day by day
Everyone is good kids one by one)

Authors: Keren Peles, Avi Ohayon and Stav Beger
Performed by Eden Golan

 

HURRICANE


Writer of my symphony
Play with me
Look into my eyes and see
People walk away but never say goodbye

Someone stole the moon tonight
Took my light
Everything is black and white
Who's the fool who told you boys don't cry?

Hours and hours, empowers
Life is no game, but it's ours
While the time goes wild

Every day, I'm losin' my mind
Holdin' on in this mysterious ride
Dancin' in the storm, I got nothin' to hide
Take it all and leave the world behind
Baby, promise me you'll hold me again
I'm still broken from this hurricane
This hurricane

Livin' in a fantasy
Ecstasy
Everything is meant to be
We shall pass, but love will never die, mm

Hours and hours, empowers
Life is no game, but it's ours
While the time goes wild

Every day, I'm losin' my mind
Holdin' on in this mysterious ride
Dancin' in the storm, I got nothin' to hide
Take it all and leave the world behind
Baby, promise me you'll hold me again
I'm still broken from this hurricane
This hurricane

This hurricane



sábado, 31 de dezembro de 2022

LEGENDS, MYTHS & FABLES II

The Philosophical Spider and the Empirical Fly

Spider Good morning, my beauty!

The spider said to the fly that landed just in front of her eyes, waving her shiny wings. The more she waved her wings, the more her little feet went down in the smooth threads of the web.

Fly What do you mean, good morning?

My morning and probably my life just ended right now...

Spider Don’t be a fatalist, my dear, what is life without surprises?

A red berry without flavour, an acid drop of rain that kills the soul but not the thirst...

If you fell in my web, that must have some kind of purpose and meaning. From my humble point of view, everything has a purpose, even the most absurd things. Let me give you a simple example...

 (Meanwhile the fly kept sinking in the silk like shiny threads, looking around for something to save her.)

 Spider ... Yesterday, the wind took my best hat away... it was my best hat because it was the one that allowed me to have the best ideas to create my art. You must know that my lineage is a succession of extremely gifted artists... My grandfather designed the contours of the first plot in history. All the authors that came after him only had to make some adjustments here and there, change a character, the scenery, some pieces of the dialogue and eventually an open ending since my grandfather invented all the closed endings there is... And my grandmother, as you surely know, was the first to paint the sky in shades of blue and the clouds in white… some ignorant, afterwards, decided to paint them in every colour… And what was the result? Now everybody says the weather is crazy and the clouds are treacherous! But they are wrong! The only thing that is mad and treacherous is the false artists and the iconoclasts that are trying to extinguish my lineage. It´s all in vain… my philosophy is undefeatable… and probably also my luck… Otherwise, how would you explain that you’ve fallen in my web precisely when I was yearning for something tasty like you?! 

     Well, my dear, what do you think that happened to me after losing my hat?  Did I despair? Did I think that was the end of the world or the end of my life? No, my dear! Since I cannot fly, I didn’t even try to catch it in the wind. I know it would be impossible for me. So, I fabricated a completely new hat, putting inside all the ideas that I remembered to be inside my prodigious hat and... here lies the master trick... I left a big empty space... Why? 

 (This was in fact the question poseed by the fly, but her voice could hardly be heard because now the threads were getting into her mouth. In spite of that, the fly didn’t have in her eyes the look of fear or of surrender. Her little brain was following a more modest thought thread. Making simple and objective questions like: What lies below the web? How resistant are the threads? Do any enemies of the spider live around? Is there a secret passage to escape, freedom... a secret passage that even the spider-builder ignores?... Meanwhile, the spider goes on with her long speech...)

Spider Let me tell you why! My brain is unstoppable, once I put this new half empty hat on my head I’m sure that my brain will burst with new and prodigious ideas… It is almost finished, I can’t wait to try it! Do you want to see it? Probably you’d prefer to try it yourself… but I can’t allow you that, surely you understand. A total new experience may have completely unexpected consequences. Though I’m fundamentally an adventurer, my philosophical background doesn’t allow me to take as sure something that depends on the most unpredictable thing there is, EXPERIENCE itself!

 Fly Mmmm… hmmm…. Uhmmm… goshhh…

 (The fly answered imperceptibly… the spider smiling with her most lascivious, gluttonous,   mellifluous smile… anticipating the pleasure of the taste mixed with the pleasure of proving again (not to the world) but to herself the unbeatable supremacy of her brain and ancient lineage).

 Spider But I’m also the most generous being there is… so, I will put my precious hat over your head, just for a second, a luminous second before the end… I will allow you a tiny glimpse of the fabulous world that you would never understand any way, and now are losing any hope of understanding it any day…

     And so, the spider rather than putting the hat over the fly’s little head knocked her with her prodigious hat. But, oh prodigy of prodigies, golden destiny of the unbreakable logic, hope of the desperate and belief of the blind, at that moment one of those fatal surprises of life opened a hole in the web below the tiny feet of the fly. In seconds, she freed her tiny hands, grabbed the hat with all her residual strength and let herself fall into the unknown void below… taking with her the avid spider who would never give up of her precious philosophical hat.

     «And what was below, my dearest friends (yes, I’m talking to you, leaves of this tree where I inhabit)? No, not the void, not a protection net, not a monster from the swamps, not a flying carpet… no, no, no… There was only a calm little puddle of rain water where there lived a most peaceful frog, an animal of few words and decisive actions. Almost all his decisive actions usually began with him opening his big mouth and waiting that the fatidic game of fortune and un-fortune would bring him the reward for his natural and un-ambitious simplicity… under the form of a moth in the late noon, an un-cautious fly or a philosophical spider…

    Will you please make some silence, my dearest friends… the story is not over and all your guesses have the eternal flaw of the moralists that spend their time hearing stories instead of living or creating them… No, no, no… The spider didn’t fall directly into the mouth of the frog, neither did the fly escape immediately away… though I recognize that is a most common and predictable ending. However, here the moral isn’t the one which is based on a certain idea of justice, that ramshackle equilibrium between acts and consequences. Here the moral comes from beyond, it lies on the belief that life is always better than death, the belief that a lesson can only be learned if one is alive to learn it, the belief that generosity is better than revenge, the belief that the light and shiny memory of a moment of salvation can illuminate the following path than the past rage, pain or agony… Are you following me, my dearest friends? Because if you don’t follow me, this story doesn’t have a meaning and it wasn’t worth to tell it or hear it…»

    While the narrator was speaking this way to the leaves of the tree, a flower bloomed in the branch right on the side of the storyteller. Though she was just a newborn, she opened her big curious eyes and said: «Dear storyteller, I think I know how this story ended… may I say it out loud?»

— If you please! — The storyteller replied.

— I guess the fly freed herself from the web threads before falling into the frog’s mouth… then, instead of flying away to a safe place, she flew in the direction of the spider which was just touching the frog’s tongue. The fly grabbed the spider by one of her eight legs and then, yes, she flew away with the spider to a safe place… I suppose this is an open ending but I just can’t figure clearly what happened afterwards…

      «That, my dearest flower, is not the most important in this story… If life has any meaning, that action of generosity probably generated other actions of generosity, a chain of generosity that ultimately led to the birth of a new world………» 

São Ludovino, 12/4/2013 

Tai Chi, photography by São Ludovino.

Sharing the Spirit I, photography by São Ludovino.



MUSICAL CHAPTERS V

LENA D’ÁGUA

 

     For more than 35 years Lena d’Água has been composing and singing. Time didn’t pass by her. Her voice is still expressive and limpid. Last summer she performed in open air before an audience composed mainly of young people. It was refreshing to see that many of them, though they didn’t know who Lena d’Água was (she began to sing when most of them weren’t even born), paid attention  and seemed surprised. Surprised with the music and the energy of the artist, but also surprised because older people, like me, were singing along as if the songs were the latest new hits. Some of those songs are timeless and some of her new songs will be timeless too. In fact, the young ones were there for the next concert, but not me.

Lena d'Água Live, 23-6-2022, photography by São Ludovino.

Lena d'Água Live, 23-6-2022, photography by São Ludovino.


Lena d'Água Live, 23-6-2022, photography by São Ludovino.

Lena d'Água Live, 23-6-2022, photography by São Ludovino.

Lena d'Água Live, 23-6-2022, photography by São Ludovino.




 

sexta-feira, 31 de dezembro de 2021

WOUNDED WORDS FROM A FORGOTTEN LAND

Wounded Words From A Forgotten Land

I was born in Bamyan
I was born in Kabul
I was born in Panjshir
I was born everywhere…

You don’t know me

But I know who you are.
You’re the one who came to kill me
And you will kill me
With all your evil skills
Just because I am who I am
Just because I dare to look
Into the abyss of your devil soulless eyes.

You may think that you killed me before

And you did, thousands of times
You may think you killed me forever
But you didn’t and you won’t.
You just shot the reflection of your evil mind.
My innocence, my strength and my hope
Will go on to haunt you and defeat you.

While I sit and sing

(I know you forbade me to do it
And that’s one more reason to do it)
I look at the clouds and touch the ground
Always for the first and the last time.

I can hear the roar coming

I know you are just around the corner.
Before you take me and rape me
You’ll kill all my family and all my sheep.
Yet, I don’t move
I sing, I wait, I persist.  

As you pass through the hidden valleys and plains

Through the ancient gorges and the peaceful mountains
All there is loses its natural joy and innocence.
My childhood escapes to the distance
My youth vanishes as I breathe
My old age is a useless wise ragged book
1400 years is the age of my fears and my pain
You’re the inventor and executioner
Of all my nightmares.

The only paradise that you’ll meet

Is the hell you have created
Since you were born.
No 72 virgins to rape
No honey and berries to taste
No glory or reward for your inhuman deeds.
Only emptiness, evil and death
Only you, alone, with yourself
And your endless darkness.

What I see

Is not what is before me anymore.
With your creed and your gun
With your blindness and cruelty
You shut my eyes to all there is.
Yet, here I am
I sing, I wait, I persist…  

In your eyes I see only

The nothing you will be…

São Ludovino, 17/10/2021

Wounded Words From A Forgotten Land, poem & video by São Ludovino


LIFE AS A MIRAGE

Initial excerpt of the text I wrote for the video Life as a Mirage:  

There are places in the world
where life seems always
incomplete

Too many times, to live
means only to survive
against all odds

One of those places

is Afghanistan,
again,
mainly to women, children
and minorities

After centuries of endless wars
After the fall of empires and kings
After ten years of guerrilla against
the soviet occupation (1979-1989)

After years of pseudo-communism
and anti-communism
autocracy and theocracy
And a civil war that was more
a religious and ethnical war
like all wars in Islamic countries…

After Afghanistan became the nest

of terrorist groups
like Al-Qaeda.

After a partial occupation by USA and allies (2001-2021)

that brought more war, guerrilla and terror attacks
perpetrated by Islamic extremists
like the Taliban

But also freedom and rights for the majority,

mainly women, children
and ethnical minorities...

Along with the constant

tribal and religious conflicts
and the constant collusion of Pakistan,
Qatar, and other Islamic countries
with terrorists and Islamic extremists…

On August 15, 2021, the Taliban,
an Islamic extremist group,
took over the power again
and brought fear, death
and oppression again...
after a first long bloody nightmare
1996-2001


Life as a Mirage - Afghanistan, text & video by São Ludovino


quinta-feira, 31 de dezembro de 2020

MUSICAL CHAPTERS IV

 MAIS DO QUE DANÇÁVEL

     Os ouvidos delicados de uma ínfima minoria sentem-se ofendidos com o ruído dos concertos de rua. São gratuitos e só vai quem quer. E o cartaz regra geral é muito variado, há sons para todos os gostos, todos igualmente respeitáveis, mesmo que eu não goste. Normalmente vai muita gente a qualquer destes concertos. Eu só vou de vez em quando porque a enchente é de facto grande e o risco de ver sobretudo cabeças e ouvir mais o ruído dos espectadores do que a música também é frequente. Fui ver os HMB e não me arrependi, pelo contrário. Além do que já era expectável, trouxeram músicos convidados, entre eles, um saxofonista (Zé Maria) e um trompetista (Diogo Duque). A combinação foi excelente. Aos ritmos soul e funky juntou-se a toada jazz dos instrumentos de sopro. E improvisar daquela maneira não é para todos.

     O recinto estava cheio e pulsava de entusiasmo. Meio mundo sabe as letras das canções e canta em uníssono, alguns batem palmas e a maioria regista o momento nos seus smartphones para depois inundar as redes dizendo “Eu estive aqui!” em vez de dizerem “Os HMB estiveram aqui e valeu mesmo a pena vir ouvi-los!” Claro que aqui e ali os decibéis subiram um pouco de mais como acontece em quase todos os concertos ao vivo. Há gente lá bem ao fundo e todos querem ouvir, cantar e dançar.

     Quase todos os temas dos HMB são muitíssimo dançáveis, têm uma cadência bem ritmada que faz o corpo mexer-se espontaneamente. É quase impossível não dançar, bambolear o corpo e deixar os braços voar. Mas os HMB vão mais além: brincam com as palavras e os sons. As palavras são elas mesmas música, a forma como são entoadas torna-as parte da melodia, da harmonia e do ritmo. Se alguém tentar cantar alguns daqueles temas a capella verifica isso mesmo. A música não vem só dos instrumentos, vem também das palavras e da forma como são segmentadas, prolongadas, cortadas, repetidas com uma respiração própria. Muito provavelmente, o background de gospel de alguns dos intérpretes tem muito a ver com isto. Nos segmentos em que ficam apenas as palmas e a voz essa afinidade torna-se mais evidente. E já alguém viu um cantor de gospel ficar imóvel? O ritmo vem da alma e contagia o corpo e alma soa cá fora nos movimentos cadenciados e na voz.

     No panorama da música portuguesa da última década, os HMB foram e são criativos, fizeram a diferença e têm um som próprio. As parcerias com outros artistas, os trabalhos a solo do próprio Héber Marques e a fusão de estilos mostra que são versáteis, inovadores e que ainda têm muito para dar.

*********************************************************

HMB Live in Benfica, photography by São Ludovino.


HMB Live - photography & video by São Ludovino.


HMB Live in Benfica, photography by São Ludovino.

HMB Live in Benfica, photography by São Ludovino.

HMB Live in Benfica, photography by São Ludovino.

HMB Live in Benfica, photography by São Ludovino.


******************************************************

HMB


Héber Marques (vocals)
Fred Martinho (Frederico Martinho) (guitar)
Daniel Lima (keyboard)
Joel Silva (drums)
Joel Xavier (bass guitar)
Diogo Duque (trumpet)
Zé Maria (Gonçalves Pereira) (sax)
Hulda Marques (chorus)
Enoque Silva (chorus)
Guest: Matay (Rúben Matay Leal de Sousa)

HMB ao vivo nas Festas de Benfica, Lisboa, 23 de Junho de 2019.

Fotografia & vídeo: São Ludovino.

HMB – YouTube Channel

HMB – Contact


sábado, 11 de maio de 2019

LEGENDS, MYTHS & FABLES I


PLINY AND THE REEDS 
(The invention of writing) 

     Pliny sat at the edge of the creek and listened to the reeds carefully. They leaned and curled and whispered and Pliny listened. He was there to listen. Sometimes the reeds sang. Pliny looked at the birds and wondered. Why do the reeds sing? 
     One day, Pliny decided to speak with the Talking Reeds. He asked them gently to let him take them away with him. "We do not want to live in a small jar," they replied in unison. 
     "You shall not live in a jar," Pliny reassured them. "You will be travelers along this stream, through all the streams, until you reach the sea. After you have circled the World, you will return and I’m sure you will have many stories to tell and sing "explained Pliny. 
     "Very well, then! But we do not want to go alone. We want a compass or a star to guide us, "they said. 
     "I understand. I’m not a compass or a star, but I will go with you and return. " 
     Pliny reaped a thousand reeds, and there were still many thousands. He entwined them in a mysterious way, not knowing what was guiding his fingers more agile than ever, forming new patterns that moved. They danced like reeds used to dance in the water. He didn’t know why but the patterns also spoke and sang. Though they were uprooted from the brook bed, the reeds were still alive, he thought. 
     After he finished the task, he looked and felt happy with his work. Now the reeds were a boat. He entered in it and left with the reeds. They walked and sailed everywhere, by streams, rivers and seas, by valleys, mountains and skies. And as they slid, Pliny saw the reeds covering themselves with new patterns that were renewed every moment. 
     Not knowing what to call them, he decided to call them "letters." It was just a word that a cloud had whispered to him and he had heard echoed over and over in the birds' voice. 
     Without knowing how, the letters entered his soul and began to order themselves spontaneously. And all around the boat spoke and sang. The cloud passed by again and told him that now he could remember everything and create everything he wanted. 
     Pliny asked the cloud how he could do it. The cloud descended close to the boat and said, "Now that you know how to give a body to words, you can write in me everything you see inside you. Then I'll go everywhere and I’ll rain all over. I'll feed the creek and the Talking Reeds again. And everything around will understand every drop of me because everyone will speak the same language, even if words and chants are all different. " 
     Pliny understood and covered the cloud with millions of words that continue to rain all around. 

São Ludovino, 5/12/2018 

**************************** 

Originally written in Portuguese as it follows. 

PLÍNIO E OS JUNCOS 
(A invenção da escrita) 

     Plínio sentava-se à beira do riacho e ouvia os juncos com atenção. Eles inclinavam-se e ondulavam e sussurravam e Plínio ouvia. Estava ali para ouvir. Às vezes os juncos cantavam. Plínio olhava as aves e interrogava-se. Porque cantam os juncos? 
     Certo dia, Plínio decidiu falar com os Juncos Falantes. Pediu-lhes delicadamente que o deixassem levá-los consigo. “Não queremos viver numa pequena jarra” responderam em uníssono. 
     “Não vivereis numa jarra” tranquilizou-os Plínio. “Sereis viajantes ao longo deste riacho, por todos os riachos, até que chegareis ao mar. Depois de circundardes o Mundo, voltareis e estou certo de que tereis muitas histórias para contar e cantar” explicou Plínio. 
     “Muito bem! Mas não queremos ir sós. Queremos uma bússola ou uma estrela para nos guiar” disseram. 
     “Compreendo. Não sou uma bússola ou uma estrela, mas irei convosco e voltarei”. 
     Plínio colheu mil juncos e ainda ficaram muitos milhares. Entrançou-os de uma forma misteriosa, sem entender ao certo o que movia os seus dedos mais ágeis do que nunca, formando padrões novos que se moviam. Dançavam como os juncos costumavam dançar na água. Não sabia porquê mas os padrões também falavam e cantavam. Embora arrancados do leito do riacho os juncos continuavam vivos, pensou. 
     Acabado o trabalho, olhou e sentiu-se feliz com a sua obra. Agora os juncos eram um barco. Entrou nele e partiu com os juncos. Andaram por todo o lado, por riachos, rios e mares, por vales, montanhas e céus. E enquanto deslizavam, Plínio via os juncos cobrirem-se de novos padrões que se renovavam a cada instante. 
     Sem saber como chamar-lhes, decidiu chamar-lhes “letras”. Era apenas uma palavra que uma nuvem lhe tinha sussurrado e tinha ouvido ecoar vezes sem conta na voz das aves. 
     Sem saber como, as letras entraram dentro da sua alma e começaram a ordenar-se de forma espontânea. E em redor todo o barco falava e cantava. A nuvem passou de novo e disse-lhe que agora podia lembrar tudo e criar tudo o que quisesse. 
     Plínio perguntou à nuvem como podia fazê-lo. A nuvem baixou rente ao barco e disse: “Agora que sabes dar corpo às palavras, podes escrever em mim tudo o que vês dentro de ti. Depois, eu hei-de ir por aí e hei-de chover por toda a parte. Voltarei a alimentar o riacho e os Juncos Falantes. E tudo em redor entenderá cada gota de mim porque todos falarão a mesma linguagem, mesmo que as palavras e os cantos sejam todos diferentes.” 
     Plínio entendeu e cobriu a nuvem de milhões de palavras que continuam a chover por aí. 

São Ludovino, 5/12/2018 

**************************************************


Eternal Bird, drawing by São Ludovino.

 Joining the souls, drawing by São Ludovino.

Guardian, drawing by São Ludovino.

 Mingling Light, drawing by São Ludovino.

 The Spirit of Matter - Being the Light, drawing by São Ludovino.

 The Spirit of Matter - Water of Life, drawing by São Ludovino.

 The Spirit of Matter - Natural Soul, drawing by São Ludovino.

The Spirit of Matter - Flora and the Wind, drawing by São Ludovino.

 The Path of Light, drawing by São Ludovino.

 Fishbird II, drawing by São Ludovino.

 Rebirth, drawing by São Ludovino.

Moontree, drawing by São Ludovino.

 Ocean links, drawing by São Ludovino.

The Spirit of Matter - Fusion, drawing by São Ludovino.

 Ocean Eyes, drawing by São Ludovino.

 Sad Rainbowflower, drawing by São Ludovino.

 Sad Rainbowflower - detail, drawing by São Ludovino.

 Natural biochemistry II, drawing by São Ludovino.

 Tiny Whole, drawing by São Ludovino.

 The Spirit of Matter - Carrying the Elements, drawing by São Ludovino.

The Spirit of Matter - Itself, drawing by São Ludovino.


Colourful Mist, drawing by São Ludovino.

 Walking on the Water, drawing by São Ludovino.

Tree of Dreams in a Sunny Day, drawing by São Ludovino.





THE VOICE OF SILENCE


     Greta Thunberg is just a sixteen year old girl from Sweden but she has the conscience of millions of years. She’s one of those old souls who wake up from the silence to wake up other consciences. She isn’t revealing anything new; the facts are old and threatening. What’s new is the authenticity and the courage. Instead of thinking about the usual consumerism, as many youth and old do, she thinks and talks about what’s really precious and vital to all: Mother Earth, our Common Home, the only home we have. And she doesn’t do what she does just to call the attention on herself. She’s the opposite of a vain person; she’s meaningful in every word and action. And even if we had many other homes across the Universe where we could move to right now, what right do we have to destroy what existed much before human life existed? 
     I believe she’s touching and awakening some consciences. Let’s see how many will act accordingly. Beautiful speeches and good intentions we had a lot before. The time is not of hope, it is the time of action, as se very well states. 
     I wrote the following poem-story some months before I discovered Greta Thunberg and her epic battle for Mother Earth. But the idea within the words is the same. In a world where a fanatical destructive religion shows despise for life in the name of some kind of monstrous god, a world were materialistic values despise the spirit that inhabits every natural creation, we really need to meet again and again with that “missing god” that inhabits in all the things in the Universe, beginning by Nature itself. Millions and millions of years before humans invented all religions and all gods at their own image, millions and millions of years before money and power conquered the human world, there was the Universe, Mother Earth and Nature. This should be the great common battle of all human beings. Find or re-find the “Missing God”, acting, being respectful and meaningful in each day. This is a point of no return. Total resurrection is already impossible. So play your part in this peaceful battle for Earth and help to save what can still be saved. 
     My poem-story is a poem of hope, much more hopeful than reality itself. Yet to act in a determined way, without surrender, we need some kind of hope. 
     The silent voice of Earth is sounding everywhere like thunder, storms, floods, drought and fire… but it seems unheard. For how long? 


TO A MISSING GOD 


Throughout the mountains the valley stretches 
Walks illuminating the slopes 
With a very slight veil of transparency. 
Those who have always lived in that valley 
Know him since always. 
And he was already there long before the first one was born. 

He was always present 
And no one ever found his form or limits. 
He used to walk around everywhere, complete and colossal 
And that was enough for the highest mountain 
The deepest lake, the smallest plant 
To follow its course throughout time. 

The days were always beautiful and endless 
In the valley of soft transparency. 
The sun always woke up and fell asleep 
Being the same sparkling sphere embracing the world. 
Upon the head of all the inhabitants poured 
The light and warmness of the whole universe. 
Everything was unfinished in its eternal growth 
And it was perfect in its cyclical finitude. 

From other parts came other inhabitants 
In search of nectar and rest 
In search of precious metals 
In search of thrones and scepters 
In search of what they imagined to be in the valley of transparency. 
But the valley was another, 
Quite unlike anything they sought, 
And, day after day, they wanted to make it just like themselves. 

The light steps began to slow down 
Became heavy and sad as lead 
The veil became a shadow 
And the body matter opaque and sick. 
Here and there appeared black rips 
That started spreading all over the valley. 
The mountains that until then had lived in serene contemplation 
First, they buckled under the blackness 
Then they grew huge 
Maddened by the growing darkness. 

By the streams, the children were looking for fishes 
That they could no longer see 
The older ones were groping the paths in search of the tigers 
That could no longer roar 
The seeders embraced the earth 
To give her their last heat and light 
The musicians called the birds with their faint chants 
But the sky was empty and the thin rain 
Was cracking the earth even more instead of satiating her. 

Everyone was looking for ways to find back the valley 
Where they had been born, where everything had been born. 
Seeing that, alone, each one by itself, they couldn’t get anything 
They united and recreated the first old tribe again. 
All hands were one 
All hearts beating in harmony 
All desires in one yearning 
All eyes looking for the initial transparency. 

And so they saw, all along the valley 
And beyond the distance 
What was missing more than what was there. 
The old torn veil was bleeding from every fissure. 
They thought to sew it, to cover with their bare hands 
Every hole, every interstice, every wound. 
They did it with all the dedication 
Days and nights unceasingly 
Any way they could imagine. 

At the end of each day, the hands were heavier 
The legs more unsteady 
The eyes tired of waiting 
And not recognizing the beings of yore. 
Where were the leafy trees 
The clear limpid voices of the animals 
The source that used to feed all rivers 
The birds that used to bring the seasons 
The deep blue that used to offer them eternity every day? 

Just a while ago they were there 
All in the same veil of transparency 
The one who had always walked through the valley 
Through all the valleys and mountains of the world. 
Someone had taken them 
One by one they had disappeared 
And the valley was empty of life. 
The new inhabitants were still happy 
Their claws stuck in the rags of the light that remained. 
They threw golden coins into the air 
And they swallowed them voraciously. 

Tired of fear and anger 
The mountains lowered the slopes 
Until they stayed close to the valley 
They allowed the sun that remained 
To illuminate all wounds clearly 
And the memory of the beginning to bring revelation. 
There was nothing to add; 
Only the beginning had to be reborn. 
Reborn from the beginning 
And redo all transparency. 

Without words, everyone understood. 
Each one got to work and did everything they could and knew. 
Some left to very far 
Some stirred the earth 
Some gathered all the pieces of the veil they found 
And others wove lines of light to bind each piece together. 
Long and arduous task that does not admit surrender. 
Long and devout labor that the sun and the moon saw reverently 
Extensive memory that little by little 
Returned to each being the existence 
And its place in the World. 

And at the end of many days of dedication 
Knowing that they had done all they could do 
They fell asleep at last under a sky 
That started to flicker again. 
No one knows for sure 
How long did last this long regenerative sleep. 
What is certain is that one day 
Dawn came back just like itself. 
The sun rose shining like never before 
The brooks rejoiced down the hillside. 
Birds brought new songs 
That everyone recognized without ever hearing them 
The tigers roared and walked with their old companions. 
And the days were endless and beautiful again. 

But where were the new inhabitants now, 
Those who had torn the veil that protected the valley? 
They had disappeared 
Not even the shadow remained. 
Or maybe they've just left the mountains 
In search of other fertile valleys. 

"Take care of your valleys 
And the transparency that protects them," said the elders 
"For the beasts are not the tigers, nor the birds, nor the trees. 
Nor the high mountains that cut the horizon. 
Keep the most ancient roots 
Accept in your bosom only those who love and honor life. 
Each valley will be as much transparent 
As each and every being that dwells therein." 
And the tigers and the birds and the trees and the waters 
And the mountains and the children understood 
And transparency returned. 

São Ludovino, 21/5/2018 

*************************************************

This poem was originally written in Portuguese as it follows. 


A UM DEUS DESAPARECIDO 

Por entre as montanhas o vale estende-se 
Caminha iluminando as encostas 
Com um levíssimo véu de transparência. 
Quem viveu sempre naquele vale 
Conhece-o desde sempre 
E ele já lá estava muito antes de o primeiro nascer. 

Esteve sempre presente 
E nunca lhe encontraram a forma ou os limites. 
Andava por ali, inteiro e colossal 
E isso bastava para que a mais alta montanha 
O mais profundo lago, a mais pequena planta 
Seguisse o seu rumo ao longo dos tempos. 

Os dias foram sempre belos e infindáveis 
No vale da suave transparência. 
O sol acordou e adormeceu sempre 
Sendo a mesma esfera cintilante abarcando o mundo. 
Sobre a cabeça de todos os habitantes derramou 
A luz e o calor de todo o universo. 
Tudo estava inacabado no seu eterno crescer 
E era perfeito na sua cíclica finitude. 

De outras partes vieram outros habitantes 
Em busca de néctar e repouso 
Em busca de metais preciosos 
Em busca de tronos e ceptros 
Em busca do que imaginavam haver no vale da transparência. 
Mas o vale era outro, 
Bem diferente de tudo quanto procuravam, 
E, dia após dia, quiseram fazê-lo igual a si mesmos. 

Os passos leves foram abrandando 
Tornaram-se pesados e tristes como chumbo 
O véu tornou-se sombra 
E o corpo, matéria opaca e doente. 
Aqui e além apareceram rasgões negros 
Que foram alastrando por todo o vale. 
As montanhas que, até então, viviam em serena contemplação 
Primeiro, vergaram sob o negrume 
Depois, cresceram descomunais 
Enlouquecidas pela escuridão crescente. 

Junto aos riachos, as crianças procuravam os peixes 
Que já não podiam ver 
Os mais velhos tacteavam as veredas em busca dos tigres 
Que já não podiam rugir 
Os semeadores abraçavam a terra 
Para lhe dar o seu último calor e luz 
Os músicos chamavam as aves com os seus ténues cânticos 
Mas o céu estava vazio e a exígua chuva 
Gretava ainda mais a terra em vez de a saciar. 

Todos procuravam meios de reencontrar o vale 
Onde tinham nascido, onde tudo tinha nascido. 
Vendo que, sozinhos, cada um por si, nada conseguiam 
Uniram-se e formaram de novo a primeira velha tribo. 
Todas as mãos eram uma 
Todos os corações batendo em uníssono 
Todos os desejos num único anseio 
Todos os olhos procurando a transparência inicial. 

E, assim, viram, ao longo de todo o vale 
E para lá de toda a distância 
O que faltava mais do que o que havia. 
O velho véu rasgado sangrava por cada fissura. 
Pensaram cosê-lo, cobrir com as próprias mãos 
Cada buraco, cada interstício, cada ferida. 
Fizeram-no com toda a dedicação 
Dias e noites a fio 
De todos os modos que conseguiram imaginar. 

Ao fim de cada dia, as mãos estavam mais pesadas 
As pernas mais trôpegas 
Os olhos cansados de esperar 
E não reconhecer os seres de outrora. 
Onde estavam as árvores frondosas 
As vozes límpidas dos animais 
A nascente que alimentava todos os rios 
As aves que traziam as estações 
O azul profundo que lhes oferecia a eternidade em cada dia? 

Ainda há pouco estavam ali 
Todos sob o mesmo véu de transparência 
Que sempre caminhara pelo vale 
Por todos os vales e montanhas do Mundo. 
Alguém os tinha levado 
Um a um tinham desaparecido 
E o vale ficara vazio de vida. 
Os novos habitantes continuavam felizes 
De garras cravadas nos farrapos de luz que restavam. 
Lançavam ao ar moedas douradas 
E engoliam-nas vorazmente. 

Cansadas do medo e da raiva 
As montanhas baixaram as encostas 
Até ficarem rentes ao vale 
Deixaram que o sol que restava 
Iluminasse claramente todas as feridas 
E a memória do princípio trouxesse a revelação. 
Nada havia a acrescentar 
Só era preciso fazer renascer o princípio 
Renascer desde o princípio 
E refazer toda a transparência. 

Sem palavras, todos compreenderam. 
Cada um meteu mãos à obra e fez tudo o que podia e sabia 
Alguns partiram para muito longe 
Alguns revolveram a terra 
Alguns reuniram todos os pedaços do véu que encontraram 
E outros teceram linhas de luz para unir cada pedaço. 
Longa e árdua tarefa que não admite a rendição. 
Longo e devoto labor que o sol e a lua viram reverentes 
Extensíssima memória que pouco a pouco 
Devolveu a cada ser a existência 
E o seu lugar no Mundo. 

E no final de muitos dias de entrega 
Sabendo que tinham feito tudo o que podiam fazer 
Adormeceram enfim sob um céu 
Que principiava de novo a cintilar. 
Ninguém sabe ao certo 
Quanto durou esse longo sono regenerador. 
O que é certo, é que, um certo dia 
O amanhecer voltou igual a si mesmo. 
O sol raiou brilhando como nunca brilhara 
Os riachos rejubilavam descendo as encostam 
As aves traziam novas canções 
Que todos reconheceram sem jamais as terem ouvido 
Os tigres rugiram e caminharam com os velhos companheiros 
E os dias voltaram a ser infindáveis e belos. 

Mas onde estavam agora os novos habitantes 
Que tinham rasgado o véu que protegia o vale? 
Tinham desaparecido 
Nem sequer a sombra restou. 
Ou talvez tenham partido para lá das montanhas 
Em busca de outros vales férteis. 

“Cuidai dos vossos vales 
E da transparência que os protege” diziam os anciãos 
“Que as feras não são os tigres, nem as aves, nem as árvores 
Nem as altas montanhas que recortam o horizonte. 
Conservai o mais antigo 
Acolhei no vosso seio apenas o que ama e honra a vida. 
Cada vale será tão transparente 
Quanto o for cada um e todos os que nele habitarem.” 
E os tigres e as aves e as árvores e as águas 
E as montanhas e as crianças entenderam 
E voltaram a habitar a transparência. 

São Ludovino, 21/5/2018 

*******************************************************

Painted with the eyes VI, photography by São Ludovino.

Greta Thunberg - Getty Images - via BBC






Bisons painted in the ceiling of Altamira cave, Spain. Paleolithic period.

Rising to fall I, photography by São Ludovino.

 Painted with the eyes I, photography by São Ludovino.

 Sculpted by Movement I, photography by São Ludovino.

 Sculpted by Movement IV, photography by São Ludovino.

Rising to fall II, photography by São Ludovino.

Painted with the eyes V, photography by São Ludovino.

 Tubular Water Bells IV, photography by São Ludovino.

 Tubular Water Bells III, photography by São Ludovino.

 Gliding spirits I, photography by São Ludovino.

 Gliding spirits II, photography by São Ludovino.

Gliding spirits III, photography by São Ludovino.

 Atlantis Galaxy I - detail, photography by São Ludovino.

 Atlantis Galaxy I, photography by São Ludovino.

 Sandman thoughts, photography by São Ludovino.

 Eternal Beholder II, photography by São Ludovino.

Eternal Beholder I, photography by São Ludovino.

Unnoticed Presence VI, photography by São Ludovino.

 Unnoticed Presence IV, photography by São Ludovino.

 The Sound of Music I, photography by São Ludovino.

The Sound of Music II, photography by São Ludovino.

 Mountain Range I, photography by São Ludovino.

Mountain Range II, photography by São Ludovino.

 Archive of Time I, photography by São Ludovino.

Made of plenty, photography by São Ludovino.

 Types of Time Blood I, photography by São Ludovino.

Time Blood I, photography by São Ludovino.

Deep eyes I, photography by São Ludovino.

Rising to fall III, photography by São Ludovino.

Between Earth and Sky, drawing by São Ludovino.